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Jewel was born on May 23, 1974 to Atz Kilcher and Lenedra Carroll
in Payson, Utah, but the family soon moved to Anchorage, Alaska. Jewel’s
name stems from Lenedra, whose middle name is Jewel, and from her Grandfather,
Yule (spelled "Juel" in his homeland), a Swiss native who settled
in Homer, Alaska in 1940.
Jewel first discovered her singing and writing gifts at home,
where Lenedra involved Jewel and her two brothers, Shane and Atz Lee, in "creativity
workshops," where they enjoyed writing poems, singing and creating arts-and-crafts
projects. She also taught them a reverence for the natural world and the wisdom
of indigenous people. Lenedra sang with her children often, too. One of Jewel’s
favorites was the melody, "This Little Bird," which she & her
mother sing on Jewel’s "Spirit" CD.
By age six, Jewel began performing with her parents for Anchorage's
locals and tourists. She also started to master one of her specialties, yodeling,
with her father's help. During their "family dinner show," the Kilchers
sang, presented skits and showed a documentary of the Kilcher's pioneering home
life that Yule had created in the 1950s.
When the Kilchers divorced two years later, Jewel and her two
brothers went with Atz to live on the Kilcher family's 800-acre homestead in
Homer. Jewel found solace in writing, and her early journal reflects the hurt
and uncertainty she felt during this time.
During her early teen years, Jewel and Atz performed together
in Homer during the summers. Jewel learned how to "work a room" the
way her dad did, and to gauge people's reactions to the songs and stories. She'd
travel back to Anchorage to spend the winters with Lenedra.
Jewel also gave horseback rides to visitors of her aunt's youth
hostel/bed-and-breakfast. "Homer was filled with travelers," Jewel
recalled. "I had friends from Chile and Guatemala, Puerto Rico, Australia
and New Zealand. Those people turned me on to a lot of different languages,
religions and different ways of thinking. Summer was always a good education."
Still, journal writing and caring for her horse, Clearwater,
were some of Jewel's favorite pastimes. When she was 14, a native Ottawa Indian
tribe "adopted" Jewel and helped her realize her gift for speaking,
as well as writing, from her heart.
In 1989, Lenedra helped Jewel practice a rendition of "Over
The Rainbow" for a performance on Tom Bodet's "End of the Road Show,"
a popular Alaska Public Radio series. It was during this performance that Jewel
found her voice and perhaps her destiny.
Around this time, Jewel began to play the guitar and perform
songs that she composed. She also joined a local rap group called "Le Crème"
for a brief stint, where she was known as "Swiss Miss."
Jewel spent her junior and senior high school years at the Interlochen
Fine Arts Academy in Michigan as a voice major. Her voice matured while practicing
difficult arias by Monteverdi, Bononcini and other operatic composers.
Jewel also talked the academy into letting her participate in
the drama program, which wasn't allowed at the time. She ended up landing the
leading role in that semester's play, "Spoon River Anthology."
After graduating from Interlochen in 1992 and traveling for
a few months, Jewel moved to San Diego, California to live with Lenedra and
Atz Lee. Jewel fizzled out in a variety of jobs, including waitressing, and
found herself broke and wondering what to do next.
With Lenedra's encouragement and belief in pursuing their dreams,
they moved out of their apartment and into separate VW Vans. Cutting costs left
more time for Jewel to focus on writing songs, playing music and singing.
About this time Jewel met local singer/songwriter Steve Poltz
and his band, The Rugburns. The two later co-wrote "You Were Meant For
Me" and Steve appears in the video with Jewel.
Along with other local songwriters - including Poltz, John Katchur,
Gregory Page, Frank Lee Drennen, Joy Eden Harrison and Lisa Sanders - Jewel
practiced her craft at local clubs and improvisational "house jams"
where the musicians would share songs and collaborate.
"It was incredible, just a brilliant environment,"
Jewel recounted. "I'd go out to cafes and I'd feel like it was Paris in
the '20s. We all were starving and no one was recognized, but here were all
these talented, brilliant writers. I just felt so honored to be around them
and writing with them."
Eventually, Jewel landed a regular Thursday night gig at the
InnerChange Coffee House in Pacific Beach. For $3 (later it cost $5), patrons
listened to four-hour sets of mostly original material interspersed with little
stories about her life. By this time, Jewel had composed more than 100 songs.
By July 1993, Jewel's local following had grown large enough
to attract the attention of Los Angeles record executives.
"A bunch of limos started coming down and I'd get flown
off to New York," Jewel remembered. "I'd be eating carrot sticks and
peanut butter in my van, then fly off to New York and have these huge dinners,
and then be plopped back in my pumpkin bus."
Jewel signed with Atlantic Records in late 1993. With an advance
from the company, she rented a house with Lenedra and bought a used Volvo and
a new guitar.
Jewel chose Ben Keith (Neil Young and James Taylor) to produce
her first album. She began recording in 1994 at Neil Young's Redwood Digital
Studio in Woodside, California. Young's longtime band, the Stray Gators, backed
Jewel on five songs along with Steve Poltz.
But to capture Jewel's strong audience connection, Atlantic
Records suggested a live recording. A sound crew set up at The InnerChange Coffee
House to record three sets of Jewel singing to her regulars.
The public heard Jewel’s first album, "Pieces Of
You," in 1995. After a slow start and relentless touring, "Who Will
Save Your Soul," "You Were Meant For Me" and "Foolish Games"
became hit singles.
"POY" earned Jewel an American Music Award for Best
New Artist. In 1999, the Recording Industry Association of America (RIAA) certified
"POY" with its prestigious Diamond Award for U.S. sales exceeding
10 million units. The album – which hit #4 on the Billboard 200 -- is
certified at more than 11 million units. This makes "POY" one of the
top five best-selling albums of all time by a female artist.
Jewel's second album, "Spirit," debuted in November
1998 in the #3 spot on the Billboard 200 and was certified platinum out-of-the-box.
The collection has since been certified quadruple platinum by the RIAA.
Patrick Leonard (Madonna) produced "Spirit," which
features the singles "Hands," "Down So Long" and "Jupiter
(Swallow The Moon)".
Jewel has received three Grammy Award nominations, an American
Music Award, and an MTV Video Music Award. In addition, she has graced the cover
of such major magazines as Time, Rolling Stone (twice), Vogue, Interview, Entertainment
Weekly, People, and Details.
Jewel and her mother/manager, Lenedra Carroll, established their
nonprofit, humanitarian organization in 1999, called Higher Ground for Humanity.
Higher Ground's mission is to inspire positive change on global, community and
individual levels. Visit www.highergroundhumanity.org for more information.
Among its most ambitious efforts, HGH launched the Clearwater
Project (www.clearwaterproject.com) during October's worldwide awareness-raising
event, NetAid. Jewel and other talented musicians performed for this huge benefit
concert, which was broadcast live on radio, television and the web. Visit www.NetAid.org
for more information on this global project.
Jewel’s holiday album – "Joy: A Holiday Collection"
– includes popular Christmas songs along with a few secular, inspirational
songs, some of which Jewel wrote. The enhanced multimedia technology also includes
a video of Jewel’s taping session of "Gloria," her first self-composed
aria.
Jewel harmonized in October 1999 with legendary songwriter and
country musician Merle Haggard for two duets -- "Silver Wings" and
"That's The Way Love Goes" -- on his new career-retrospective release.
Jewel’s first collection of poetry, "A Night Without
Armor," was released in 1998 and has been a staple of the New York Times
best-seller list.
Jewel debuted worldwide as the lead female role in her first
feature film, Ang Lee's "Ride With The Devil," on December 10, 1999.
Jewel pens deeply intimate and detailed glimpses of her public
and private life in her second book, "Chasing Down The Dawn," which
HarperCollins released in October 2000.
In candid and elegantly written prose, Jewel chronicles a breadth
of rich experiences; from the wonder of watching a lightning storm below her
private-jet window eight miles above the Earth, to the grueling challenge of
performing with bronchitis during 1999's Spirit World Tour. She weaves snapshots
of stardom and private love with poignant vignettes of her childhood as a folk
singer with a pioneering family in the Alaskan frontier. Pages of photos from
the Kilcher family archives and photographs taken by Jewel and her friends are
plentiful throughout the book.
While not formally
touring with her band in 2000, Jewel did perform acoustic shows at specially
selected concert venues and discussed her new book on television and radio programs
and in major magazine articles. Jewel has added a few dozen new songs to her
vast catalogue in recent months, many of which will begin surfacing in performances
this year and next.
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